By Geraldine Brodie,Emma Cole
Translating for functionality is a tough – and hotly contested – job.
Adapting Translation for the Stage provides a sustained discussion among students, actors, administrators, writers, and people operating throughout those barriers, exploring universal issues and matters encountered whilst writing, staging, and gaining knowledge of translated works. it's organised into 4 components, every one reflecting on a theatrical style the place translation is often practised:
- The function of Translation in Rewriting Naturalist Theatre
- Adapting Classical Drama on the flip of the Twenty-First Century
- Translocating Political Activism in modern Theatre
- Modernist Narratives of Translation in Performance
A variety of case reports from the nationwide Theatre’s Medea to The Gate Theatre’s Dances of Death and Emily Mann’s The apartment of Bernarda Alba shed new mild at the inventive approaches inherent in translating for the theatre, destabilising the literal/performable binary to indicate that model and translation can – and do – coexist on degree.
Chronicling the various attainable intersections among translation idea and perform, Adapting Translation for the Stage bargains a different exploration of the techniques of translating, adapting, and moving paintings for the theatre.
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Extra info for Adapting Translation for the Stage (Routledge Advances in Theatre & Performance Studies)
Adapting Translation for the Stage (Routledge Advances in Theatre & Performance Studies) by Geraldine Brodie,Emma Cole